Reading Foucault is like taking a master class on how the game of scholarship is to be played

Michel Foucault (1926-1984) undermines the romantic theory of authorship by speaking of discourse as a distribution of author functions. For Foucault, a statement is authorized by a particular form of discourse, a regime of truth, a procedure for assigning truth-value to statements. It’s not hard to see why this captivated the minds of academics. It made the procedures in which academics are obsessively drilled the very form of power itself. As if that by which academics are made, the molding of their bodies to desks and texts, that about which they know the most, even more than they know their allotted fields, were the very index of power. Reading Foucault is like taking a master class on how the game of scholarship is to be played, and with the reliable alibi that this knowledge of power, of knowledge as power, is to be used in the interests of resistance to something or other. Détournement on the other hand, turns the tables, upends the game.

The device of détournement restores all the subversive qualities to past critical judgements that have congealed into respectable truths. Détournement makes for a type of communication aware of its inability to enshrine any inherent and definitive certainty. This language is inaccessible in the highest degree to confirmation by any earlier or supra-critical reference point. On the contrary, its internal coherence and its adequacy in respect of the practically possible are what validate the symbolic remnants that it restores. Détournement founds its cause on nothing but its own practice as critique at work in the present. Détournement creates anti-statements. For the Situationalists, the very act of unauthorized appropriation in the truth content of détournement.

Needless to say, the best lines in this chapter are plagiarized. Or rather, they are détourned. (It hardly counts as plagiarism if the text itself gives notice of the offense – or does it?) Moreover, many of these détourned phrases have been corrected, as Lautréamont would say. Plagiarism uploads private property in thought by trying to hide its thefts. Détournement treats all of culture as common property to being with, and openly declares its rights. Moreover, it treats it not as a creative commons, not as the wealth of networks, not as free culture or remix culture; but as an active place of challenge, agency, strategy and conflict. Detournement dissolves the rituals of knowledge in an active remembering that calls collective being into existence. If all property is theft, then all intellectual property is détournement.
Not surprisingly, official discourse has a hard time with this concept. The decline of critical theory in the postwar years is directly correlated to the refusal to confront détournement as the most consistent approach to a knowledge made by all. The meandering stream that runs from the Letterist International to the Situationist International and beyond is the course not taken, and remains a troubling memory for critical thought. The path not taken poses the difficult question: what if one challenged the organization of knowledge itself? What if, rather than knowledge as a representation of another life, it is that other life?

McKenzie Wark, The Beach Beneath the Street: The Everyday Life and Glorious Times of the Situationist International

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